Objects are displayed in cases corresponding to chapters in the novel. Some objects, such as Füsun’s dress or driver’s license or the view from her room, are taken directly from the novel. Inside the museum are objects which evoke stories and memories of the Istanbul of the 1970s. His pursuit takes him to Füsun’s family home in Çukurcuma, to a building which becomes the fictional, and now the physical, museum. Kemal develops an obsessive love with his young cousin Füsun, whom he pursues. Pamuk’s novel follows the life of Kemal, an upper-class man from Istanbul, through the 1960s and 70s. The museum is not an illustration of the novel, and the novel is not an explanation of the museum.” “And yet,” writes Pamuk, “just as the novel is entirely comprehensible without a visit to the museum, so is the museum a place that can be visited and experienced on its own. It is the work of novelist Orhan Pamuk, whose novel The Museum of Innocence was conceived of and created along with the museum itself. In the backstreets of Çukurcuma, sloping towards the Bosporus from Istiklal Caddesi, the main pedestrian commercial thoroughfare of Istanbul, is the Museum of Innocence, a collection of items straight from a work of fiction.
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